Reinventing Star Trek’s VFX
[To match-move,] you have to understand exactly what the camera operator is doing with what type of camera,” he says. “Technocrane vs Spydercam vs dolly, pan, tilt. You have to know before you start a match move. I think that doing camera work that blends properly with real footage, going from practical to digital [and] back to practical, is an art form that’s gradually becoming more and more important.
Found through: Alba’s Twitter Feed
If you enjoyed this post, please consider to leave a comment or subscribe to the feed and get future articles delivered to your feed reader.
Comments
No comments yet.
Leave a comment